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tor/https://www.nouvelle-fribourg.com/archives/limagination-survivante-lappauvrissement-de-lexperience-sensible/https://www.nouvelle-fribourg.com/archives/jules-laforgue-une-imagination-oeuvrant-au-sein-de-la-bibliotheque/https://www.nouvelle-fribourg.com/archives/limagination-de-coleridge-a-baudelaire-positivement-apparentee-avec-linfini/https://www.nouvelle-fribourg.com/musee-dart-et-dhistoire/arcabas-nourrir-le-monde-avec-la-beaute/https://www.nouvelle-fribourg.com/archives/limagination-deraisonnante-dans-lunivers-narratif-de-samuel-beckett/https://www.nouvelle-fribourg.com/universite/la-photographie-revelation-de-la-mort-ou-du-salut-chez-baudelaire-et-yves-bonnefoy/https://www.nouvelle-fribourg.com/universite/on-marcel-prousts-canape/https://www.nouvelle-fribourg.com/archives/un-surrealisme-fin-de-siecle-quelques-reflexions-sur-un-chapitre-den-rade/https://www.nouvelle-fribourg.com/archives/le-demon-fugitif-de-limagination-propositions-pour-une-traductologie-comparee-nerval-et-baudelaire/https://www.nouvelle-fribourg.com/archives/une-galerie-de-portraits-lauteur-et-ses-representations-en-litterature/https://www.nouvelle-fribourg.com/introduction/introduzione/https://www.nouvelle-fribourg.com/universite/remarks-on-translating-the-poetry-of-paul-verlaine-into-english/https://www.nouvelle-fribourg.com/gare/les-annees/https://www.nouvelle-fribourg.com/gare/ma-danse/https://www.nouvelle-fribourg.com/gare/ne-plus-partager/https://www.nouvelle-fribourg.com/gare/vers-dores/https://www.nouvelle-fribourg.com/archives/specificites-et-fantaisie-des-representations-de-lauteur-dans-la-litterature-de-jeunesse-portraits-et-autoportraits-de-lecrivain-dans-loeuvre-de-christian-grenier/https://www.nouvelle-fribourg.com/archives/les-portraits-de-samuel-beckett-visage-dun-auteur-visage-dune-oeuvre/https://www.nouvelle-fribourg.com/archives/la-carte-et-le-territoire-de-michel-houellebecq-une-nouvelle-perspective-du-portrait-litteraire/https://www.nouvelle-fribourg.com/archives/deux-visages-de-mallarme-les-portraits-de-manet-et-whistler/https://www.nouvelle-fribourg.com/archives/je-naime-pas-a-dire-ce-que-je-suis-mais-jaimerais-a-le-prouver-un-jour-emile-verhaeren-au-miroir-de-ses-contemporains/https://www.nouvelle-fribourg.com/archives/le-vent-paraclet-de-michel-tournier-une-ego-histoire/https://www.nouvelle-fribourg.com/archives/la-litterature-et-ses-espaces/https://www.nouvelle-fribourg.com/musee-gutenberg/agathe-novak-lechevalier-houellebecq-lart-de-la-consolation-2018/https://www.nouvelle-fribourg.com/archives/jules-verne-le-romancier-geographe/https://www.nouvelle-fribourg.com/archives/espaces-plis-et-architecture-du-recit-bref-loccupation-des-sols-de-jean-echenoz/https://www.nouvelle-fribourg.com/archives/architecture-spatiale-dans-loeuvre-au-noir-de-marguerite-yourcenar-de-lecrire-peindre/https://www.nouvelle-fribourg.com/archives/espace-et-verticalite-dans-les-paysages-memoriels-de-chateaubriand-nabokov-et-sebald/https://www.nouvelle-fribourg.com/archives/enchassement-des-espaces-fictionnels-le-cas-de-lonirisme-dans-lherbe-rouge-et-les-batisseurs-dempire-de-boris-vian/https://www.nouvelle-fribourg.com/archives/le-vrai-lieu-et-limperatif-spatial-dans-lontologie-dyves-bonnefoy/https://www.nouvelle-fribourg.com/archives/la-figuration-de-linfini-dans-lespace-typographique-du-coup-de-des-de-mallarme/https://www.nouvelle-fribourg.com/archives/la-litterature-espace-de-fabrication-de-la-langue-etude-de-cas-thomas-lobscur-de-maurice-blanchot/https://www.nouvelle-fribourg.com/archives/le-primitivisme-litteraire-et-ses-territoires/https://www.nouvelle-fribourg.com/archives/un-outil-litteraire-pour-dechiffrer-la-ville-leducation-sentimentale-comme-texte-cartographique/https://www.nouvelle-fribourg.com/universite/une-nouvelle-emma-bovary-quelques-remarques-sur-gemma-bovery/https://www.nouvelle-fribourg.com/archives/la-plume-et-la-fourchette-de-la-nourriture-en-litterature/https://www.nouvelle-fribourg.com/universite/quelques-remarques-sur-la-notion-de-lieu-en-ecopoetique/https://www.nouvelle-fribourg.com/archives/le-defi-linguistique-et-litteraire-de-la-couleur/https://www.nouvelle-fribourg.com/gare/entre-ontologie-et-rhetorique-a-propos-de-la-comparaison-chez-proust/https://www.nouvelle-fribourg.com/archives/le-diner-de-noel-daime-cesaire-ou-le-gout-amer-de-la-liberte/https://www.nouvelle-fribourg.com/archives/maryse-conde-et-lart-du-bien-manger-a-la-recherche-dune-genealogie-de-femmes-creatrices/https://www.nouvelle-fribourg.com/archives/la-cuisine-de-marguerite-la-creation-durassienne-de-la-plume-aux-fourneaux/https://www.nouvelle-fribourg.com/archives/la-parole-alimentaire-chez-roland-barthes-du-savoir-et-de-la-saveur/https://www.nouvelle-fribourg.com/archives/a-coups-de-dents-et-de-fourchettes/https://www.nouvelle-fribourg.com/archives/editorial-lettre-ouverte-a-une-parole-qui-renait-toujours/https://www.nouvelle-fribourg.com/gare/les-styles-tardifs-de-la-poesie/https://www.nouvelle-fribourg.com/theatre/moliere-et-jules-roma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